Taylor Swift releases the most savage lyrics – but there are more for this new album

The Life of a Showgirl has the potential to become the most important album of Taylor Swift’s career, with all his eyes to the level even that he has never experienced before.

Hot off one of the biggest tours ever and engagement, the statement he made in this release was calculated and something he had ‘wanted to make for a long time’.

So there is no pressure?

In the end, Taylor lives to Hype and does his best: the release of a pop album that makes it addicted to deep lyrics and beats inspired by the 80s.

While I like the tortured poet department – controversial, I know – the life of a stage girl feels like returning to shape, combining the best elements of reputation, 1989, and midnight.

It is clear why he chose the fate of Ophelia as the opening track and the main single. This is an instant hit, using romance with Travis Kelce when he described someone to break down his wall and ‘save his heart’.

Romance is a topic that is expected by many people from stars, but this album refuses to give us a daydream and wide -eyed narrator that the masses might want.

The Life of a Showgirl brings us through Taylor’s complicated experience with fame and supervision when clashing with real people behind the brand.

Of course, the singer’s skills are always in storytelling, and the lyrics are packed with personal references, including what seems to be the song Charli XCX Dys.

Actually romantic, Taylor released his poison when he sang about someone who raised his ex ‘when the coke made you brave’ and ‘little Chihuahua barking’ to him.

Unfortunately for whoever the song is, this is very interesting with a pop guitar riff of almost 00 on all tracks – it reminds me of giving you hell by all Americans who refuse, a smart nod but less smooth.

The decision to work with Max Martin and Shellback for the life of a stage girl has produced results, giving me a heavy guitar and drums that I really miss in Taylor’s music.

Personally, Permata Crown Album is a father figure, when he plays with a tempting vocal, assisted by the interpolation of George Michael’s song with the same name.

Just like really romantic, Taylor plays with the subconscious connection that we have with the music when he tells of seducing someone to sign an agreement with the Devil.

This song insinuated the figure of this mafia boss which he made while lamenting that he had also been in the victim’s position.

This frustration theme runs through the album, directed at public perception of him and how he is painted as a criminal, regardless of what he does.

However, why fans who are thirsty for gossip devour this lyrics to sprinkle insight, there are more for this album than that.

Ruin The Friendship is a real showstopper, giving a lyric-to-sectional moment in the middle of the album when he switched from Young Love and stole a very real view.

On the bridge, he sang: ‘Abigail calls me with bad news/goodbye, and we will never know why’.

Old fans will know that Abigail is a friend of Taylor’s school, strengthening this song almost certainly refers to Jeff Lang, another school friend who died.

This is a song designed to boom and stop me on my track on First Listen. Emotional island in the sea of ​​stylish chart toppers.

The second half of this album reflects the first, with wood giving another dedication to travis that is’ love is an open key [her] thigh ‘.

Cheeky, romantic, and a little sexier than we have seen before, this is the personal side of him out of the showgirl’s personality.

The only one of my complaints is that all songs began to sound similar, the criticism that was often put forward in the music, but generally not true from the overall discography.

In one way, having a very different voice for each album is good, but I hope he leaning on the aesthetics of the showgirl in music and gives us some numbers inspired by Jazz.

What is saying, each song has the potential to be a person’s favorite because there are very few jumps with some plunge into different genres, even if they are small.

Of course, the Sabrina Carpenter feature in the song title is an additional treat for fans and couples to work with very well from the vocal perspective.

The Life of a Showgirl has Clap, Country Dims for it and feels like that is intended to be sung as a credit scroll.

This is the perfect ending for this trip through fame, with an emotional nod to fans to close the show.

Even though he did not break the wheels, this album was emotional, honest, witty, brutal, and really fun. This is what I want from Queen Pop.

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